‘Of Mice and Men’ play portrays complexities of life
October 7, 2010
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“line-height: 120%; font-family:”>This October, Ashland University’s Theater Department will be showcasing John Steinbeck’s “Of Mice and Men,” a novel-turned-play that delves into the nature of friendship and humanity.
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“mso-spacerun: yes;”> and 23 at 7:30 p.m. and Oct. 24 at 2 p.m.
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“mso-spacerun: yes;”> followed by a talkback, allowing the audience to interact with the cast for approximately half an hour.
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“mso-spacerun: yes;”> director of over 40 productions at AU, talkbacks give audience members a chance to ask questions.
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“mso-spacerun: yes;”> two years ago when the play the theater department was working on was particularly controversial.
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“mso-spacerun: yes;”> controversial as other plays, it still presents numerous topics that audience members might feel compelled to discuss.
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“mso-spacerun: yes;”> at AU, Goodwin chose “Of Mice and Men” for various reasons.
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“mso-spacerun: yes;”> with a high potential to connect with the audience.
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“mso-spacerun: yes;”> Goodwin said. “With foreclosures, homelessness and joblessness being a part of our society today, that’s what Steinbeck wrote about. ‘Of Mice and Men’ goes further in that it has the motifs of friendship and companionship and loneliness. [It communicates] the desire to have a piece of land you can call your own. It’s still the American dream; it’s never been lost.”
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“mso-spacerun: yes;”> reasons for wanting to direct “Of Mice and Men.”
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“mso-spacerun: yes;”> University of Akron, I chose the character of Lennie as my thesis, and so I researched the play, novel and Steinbeck very carefully,” he said. “The more I discovered it, the more strong feelings I had for the script.”
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“mso-spacerun: yes;”> that eventually fueled Goodwin’s desire to push for Steinbeck’s play.
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“mso-spacerun: yes;”> the play is without challenges.
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“mso-spacerun: yes;”> me,” senior Sean Smith said. Smith is playing one of the lead roles as George, a small but intimidating man who has a soft spot for his mentally disabled friend Lennie.
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“mso-spacerun: yes;”> the mind of George that it’s making my natural process of an actor completely different,” Smith said.
“mso-spacerun: yes;”> to the multitude of lines he must memorize in a very limited time.
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“mso-spacerun: yes;”> were cast, began rehearsals the following week and now we [are] already opening the show next week!” he said. “It’s crazy how fast this has flown by.”
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“mso-spacerun: yes;”> builds when the show comes together within the week before the performance, which is almost always the case.
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“mso-spacerun: yes;”> we may never make the amazing show we are hoping for,” he said. “But, I always know we will.”
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“mso-spacerun: yes;”> truly appreciate the genius of Steinbeck’s play.
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“mso-spacerun: yes;”> and character development Steinbeck fit in such a short novel,” Smith said.
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“mso-spacerun: yes;”> one of the most unexpected plot twists in literature, which is why those familiar with the story either love it or hate it.
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“mso-spacerun: yes;”> George so much… You can’t imagine how someone who supposedly cares so much for his friend could do something so horrible,” Smith said.
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“mso-spacerun: yes;”> callous and uncaring but still allow him to have a solid emotional core. I think my hardest challenge has been allowing George to care about Lennie in the way I feel he should, while also staying true to the script that is written.”
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“mso-spacerun: yes;”> delve into his character’s state of mind.
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“mso-spacerun: yes;”> keep an internal dialogue,” Smith said.
“mso-spacerun: yes;”> you’re so dumb,’ in my mind I am saying, ‘I am only trying to protect you.’”
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“mso-spacerun: yes;”> Steinbeck’s work that is difficult to capture in any sort of theatrical production.
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“mso-spacerun: yes;”> writer, as he attempts to put everyday life into a script,” Smith said.